I just want to do enough to suggest the forms. Thumbnail concept sketches like this are usually going to be scratchy and sloppy. Although, one of the lessons in Part 2 of this course will focus on digital painting as a rough sketching technique. But of course, you should slow down a bit at this stage and take more time than you did on the thumbnail sketch. And it sticks out from the front plane of his face quite a bit. Drawing by moving only your wrist forces you to make only short strokes of the pencil or stylus. To finish up this drawing, I was originally planning on using all cross-hatch shading with the pencil tool in Corel Painter.
To finish up this drawing, I was originally planning on using all cross-hatch shading with the pencil tool in Corel Painter. He has a very strong and chiseled chin and jaw. And I feel most comfortable working with values and shapes rather than purely with lines. It has a bridge which, from top to bottom, goes narrow, wide, narrow again and then wide at the ball at the end of the nose. Whatever drawing tool you use, just be sure your Abstraction lines are laid down with long smooth strokes, not short scratchy strokes. Remember, we break down the caricature drawing process into separate steps so that we can focus on one main goal at a time. That will be taken care of in the next step. To refresh your memory about some of the basic principles of exaggeration, remember: But even in caricature, I like to have a properly constructed drawing. Overall, he reminds me a little of a forest elf. The goal is to figure out the level of exaggeration the caricature will ultimately take. The Final Drawing To begin this last stage, I rotate the face to lift his gaze. And just to review, the Abstraction is the linear system of rhythm lines that I use to retrace the shapes. Or you can do it more like me and try to trace the outer contours of the shapes first and then shade all around the drawing as you please, until it eventually feels finished enough. On PewDiePie, I saw him as having a head that was taller and thinner than the average, with a larger, more prominent forehead. But on this one, I felt like I got exactly the look I was picturing in my head. I like my caricatures to appear three-dimensional and realistic, so that if someone wanted to actually sculpt these faces in a medium like clay, they could use my design, and it would look good from any angle. But sometimes I get a little ahead of myself and start shading before the entire line drawing is laid in. Then I dim down the Abstraction layer and create a new layer for the final drawing. Look for the features and traits which make your subject different from the average head and then make those differences more obvious. If I were doing an actual inked drawing, the line variation would be more obvious. The likeness can be refined at the next step of the rough sketch. Much like how I would finish up a real charcoal drawing on paper. So I try not to spend too much time painting with values. Although, one of the lessons in Part 2 of this course will focus on digital painting as a rough sketching technique.
Video about how to draw pewdiepie:
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